Just read this thread for the first time today. I have a lot of catching up to do.
I'm with the people who didn't think much of Cowboy Physics at first. It's good, but not, as some people say, the best comic on the site. But on the other hand, I won't say I'm tired of it, or of its parodies. I like the parodies for the same reason I still like Tobor, all your base, and all those skeet-shooting strips. I think running a joke into the ground is funny.
I think Dilbert is funny 'cause it's true. I'd say a good 85% of anyone who was ever employed in the '90s should be able to see people they recognize in it. Adams takes real-life stupidity and puts it into cartoon characters, who can say what we're all thinking without losing their jobs. It's an outlet for the quips and the emotion that we have to keep inside from 9 to 5.
Zapp, two things: first of all, don't be intimidated, just jump right into the contests. kramer_vs_kramer won with his first strip ever, so obviously it can happen. Besides, it's not like any of us have room to criticize sub-par contest entries.
Second, what I think is interesting about "Farmer's Daughters" is that it wouldn't be half as funny if Chuck's dialogue were spoken in full. It's the omission that makes the strip -- the fact that we know what's coming without having to see it. Figure out how to give the farmer dialogue that exploits this technique (how about: "My name is Luis, and I'm a go get my piece") and you won't need to show us his shotgun.
Fuzzyman, thanks for the nod. Back when there was a scoring system, that was one of my highest-rated. I like it a lot, but to be honest, I can't say it makes me laugh out loud. I think it's clever, but not table-poundingly funny. However, I must say that in the long run I respect cleverness more than funniness in other people's strips. Not that a strip can't be both.
Speaking of cleverness and implied violence, here's the strip that put Drexle on my favorites list:
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| Yes!!! I finally made it to the chamber of the Genie! Man, it sucks that I lost my left nut to that trap... I wish I had it to do over again... | |
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| Yes!!! I finally made it to the chamber of the Genie! Man, it sucks that I lost my left nut to that trap... I wish I had it to do over again... | |
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| Yes!!! I finally made it to the chamber of the Genie! Man, it sucks that I lost my left nut to that trap... I wish I had it to do over again... | |
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Now that's pure genius. I loved this when I first read it and I still do. It's funny, to be sure, but more importantly, Drexle managed to craft a coherent, sensible, humorous strip in which all three panels were identical. And that's impressive.
And speaking of back when there was a scoring system, here's one of mine that held a place on the top ten list for a long time:
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| So Rene Descartes walks into a bar, and the bartender asks him, "The usual, Mr. Descartes?" | |
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| And Descartes ponders for a moment. Then finally he says, "No, I think not" -- and vanishes! | |
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The Pluto Comedy Club: when you can't find a cane, a scythe will do.
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| Hey, come back later, folks. The 10:30 show is completely different from the 7:30 show! | |
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This is also one of my favorites of my own strips. Sometimes I'm not sure why it works. My feeling is, it again uses the implied violence principle, and it tells a joke that's kind of funny but that we feel dumb for actually laughing at (or at least that's my opinion). Any other thoughts?
Something that I wanted to post in fpd's sin thread, but couldn't articulate to my satisfaction. It's been my observation that successful humor needs to have at least one element from a very short list. This list includes things like violence, stupidity, and embarrassment, or a threat or hint of same. What do you folks think about that? Can you add to the list? Can you point to humor that succeeds despite being dissimilar to any items from the list?
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The what mentioned above is total fiction. Please don't take it seriously!